“I was born under unusual circumstances.” And so begins ‘The Curious Case of Benjamin Button,’ adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man, like any of us, who is unable to stop time.
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A young woman who’s attempting to find her place in the world battles with her controlling mother and a womanizing husband finds comfort and confusion with the appearance of her childhood friend.
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A camp comedy about a vampire stuck in an all-night donought shop: The story centers around Boya, a grungy-looking vampire who has been snoozing in a garbage bag since 1969. After he’s unceremoniously awakened, Boya stumbles into a cab driven by Earl, and checks into a flea bag hotel across the street from Bernie’s Donut Shop wher earl hangs out because he’s infatuated with a waitress named Molly….
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En route to a run-down shelter they are set to renovate as community service, a group of juvenile delinquents and the two chaperones accompanying them run into a minor set-back when their bus breaks down.
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Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and disease took their toll on the survivors. Now, twenty years after the bombs fell and the plagues ran their course the few that remain live in fear and without hope.
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An adventure of a father and his young daughter, searching for a long lost book that will help reunite a missing, close relative, this fantasy takes a darker side whenever we hear Mo ‘Silvertongue’ Folchart reading out aloud from books. His ability to rise to life, to export, to release figures out of the page and into the real world is only relevant when the darker side of his stories appear to reek havoc and destruction.
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The prequel story traces the origins of the centuries-old blood feud between the aristocratic vampires and their onetime slaves, the Lycans.
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In the year 2056 - the not so distant future - an epidemic of organ failures devastates the planet. Out of the tragedy, a savior emerges: GeneCo, a biotech company that offers organ transplants, for a price. Those who miss their payments are scheduled for repossession and hunted by villainous Repo Men. In a world where surgery addicts are hooked on painkilling drugs and murder is sanctioned by law, a sheltered young girl searches for the cure to her own rare disease as well as information about her family’s mysterious history.
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Marty Bronson (Jonathan Pryce) who raises his son and daughter on his own has to sell his homey motel to clever Barry Nottingham (Richard Griffiths) who promises to make Marty’s son manager, when he’s grown up and has proven himself. Nottingham pulls down the motel to raise a pricey hotel. Although grown up, Marty’s son Skeeter Bronson (Adam Sandler) works as a janitor and general servant, but unlikely as it seems, he still dreams of becoming the manager.
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I don’t understand why Cem Yilmaz insists so much in making movies. He is a very funny man. He is extremely successful in his stand up shows. He can entertain thousands when he is on the stage with his black shirt and trousers. With minimum investment, no decor, no make up, he generates maximum return in his shows.
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